Tuesday, November 06, 2007

A Peek Inside the Writer’s Guild and Producers’ Negotiations

Before the big meeting over the weekend, Ransom Note Typography minions managed to plant a couple high tech microphones on key members of the negotiating teams during the marathon sessions between the Writer’s Guild of America (representing the writers, duh) and the Alliance of Motion Picture & Television Producers (representing the blood sucking, money grubbing studios and producers).

We are not biased in the slightest here at RNT World Headquarters.

The following is a transcript of the tapes we got via FedEx late this afternoon.

Chairs rustling as people begin to sit

Voice 1 (Studio Boss, we presume): Everybody OK? Anyone need a Pellegrino? Latte? Diet Coke?

Voice 2 (writer, we guessed): Yeah, can I get a half-decaf mochachino venti, low foam and extra hot? Really hot. Hotter than the heat of a thousand suns hot, please. Thanks.

Voice 1: Sure thing, Bob. MARCI! Hey, Marci, listen, will you run to the Starbucks down the street and get Alan a cup of jo, with a shot of half and half or something.

Bob: Um, I really wanted half-decaf—

Alan: Bob, I am never going to remember all that crap. Marci, get him a cup of coffee and some of those creamers, will ya? And get me a boysenberry danish, the crumbly kind, three napkins, a fork and two plates, while you’re at it. And get my Blackberry out of my bag and call Jiilian and tell her to cancel the swim class tonight, my psoriasis is acting up this week and the chlorine really does a number on my skin.

Woman’s voice (presumably Marci): You want a coffee with that?

Alan: Oh, Lord, no, I’m already going to be up all night. And the acid just kills my stomach. But pop open one of those Pellegrinos and let it go flat for me. And throw some ice in a glass when you get back. Thanks, hon.

Much throat clearing

Alan: OK, look. We have a problem. You word guys are way too bent out of shape. Seems to us over at AMPTP like you fellows with the typewriters are being a little greedy, don’t you think?.

Bob: Alan, I think we are being more than fair and quite reasonable. Right now we only earn FOUR cents per DVD sold. Less than a nickel per $24.99 DVD! And zilch on internet stuff. We have to be fairly compensated, Alan. And, you also need to recognize that new media falls under our jurisdiction. We have to protect these young kids out there writing on the Internet and all this new media stuff.

Alan: Look, Bob, I understand your position, and I feel for you, but really, you gotta understand, we don’t need you guys as much anymore. You aren’t really in a position of strength here, my friend. Plus, no one is making any money off the Internet. Zippo. Bupkis. Bunch of smelly hippies, stealing our intellectual property is what the Internet is. Trust me, Bob, you don’t want any part of the Internet stuff. We can’t even get that fruity company, what’s their name, again? Marci!

Young woman’s voice: Marci left to get the danish, sir.

Alan (huge sigh): Fine. What’s your name, hon?

Young woman: Riva, sir.

Alan (rolls eyes): Whatever. What’s the name of the fruit company that sells those little pod-pud things? [sound of fingers snapping] We bought my niece one in pink, remember?

Bob: Apple. Alan, Apple sells the iPod and sells your shows on iTunes. Over the Internet.

Alan: Again. Whatever. Those fruity folks got all huffy and hot and bothered the other day. They don’t like our ideas about pricing. It’s nuts! All I’m saying is that the Internet is full of bandits, Bob. You don’t want any part of that. We don’t even want a part of that, but we have to do something, you know? Holy pants on a bamboo pole, look at the music business, poor bastards. The Internet stole EVERYTHING from them. We aren’t making a plug nickel off the Internet, Bob. You gotta believe me! So I don’t understand why you are making such a fuss about it. Look at this contract proposal of yours, you got a whole section in here called: “Revenue from Internet streaming.” What revenue?! Are you kidding me? I’m dying here with this Internet revenue stuff! Plus, there are thousands of people out there at home in their underwear in the day, writing, just like you clowns from the WGA. I just heard about this blagging stuff the other day. It’s crazy stuff! I had Marci start a blag thing for me. Livepress.com? Wordjournal? Anyway. A zillion and a half monkeys out there, I bet if we put it all in a hopper, some kind of Shakespeare will sift out. So what if it isn’t really the next Hamlet, people don’t really care about quality anymore. You know that! Hell, we just put Harold and Kumar 4 into pre-production. No, let’s stay away from an Internet talk, my friend, that’s rough and felonious territory. A veritable den of thieves.

Bob: Well, we are going to have to address revenue sharing for Internet downloads and streaming at some point. But I’d really like to discuss the criminally low residuals we receive from DVD sales. Now your public statements about the health of your business, combined with the latest 10-K from the SEC, in DVD sales alone, your company made over—

Alan: Bob, I’m going to stop you right there. We can’t really say exactly what we sold. We make a lot of plastic discs, sure, but how much money do we really make off ‘em? Who can say? We send trucks out to Wal-Mart, but it gets really complicated after that. Who knows how many those guys sell! And the financial statements! Come on! Think about it, Bob, you know how mushy and shady those financial statements are. Like Mick Jagger said, “I see a red door, and I want to paint it gray.” Hell, you write fiction for a living, we should get you to take a poke at those statements once in a while.

General laughter around the room.

Alan: Anyway, Bob, we are getting eaten alive by piracy. You’ve seen the news. Right here on our own channel they say it: Billions and billions of dollars of our property flying around the Internet right now and we aren’t seeing any of that action. Trillions, even! Hell, you walk down the street in Manchuria or over there in China and you trip over a stack of bad copies of Rush Hour 3 when you walk out the door. Though really, they were just there to keep the door propped open. What a stinker that was! Who wrote that again, Bob?

Bob (obviously annoyed and testy): I don’t think we are here to discuss the merits of any one movie or show in particular. The industry as a whole is the problem we are trying to address. We need to talk about revenue sharing and residuals and what we, the writers are rightfully owed.

Alan: I’m just asking. No need to get defensive, my boy. I’m sure it was all Ratner’s fault anyway.

Bob (very angry and his voice is squeaky and shaking): Yeah, sure. Fine. Whatever. You know for a fact that the script I delivered to him years ago was better than the drivel they filmed. My name isn’t even anywhere on that script anymore. And you know that.

Silence for a few moments. A couple of throats clear uncomfortably.

Bob: Anyway. We need to come to some conclusion on the matter of DVD sales. The WGA thinks a doubling of the compensatory fees for DVDs with over $1 million in gross sales is more than reasonable.

Alan: Your comedy skills have never been better, Bob. Very sharp! That’s a funny, isn’t it? We should put you on staff for this new Bob Saget vehicle we are throwing together.

Bob: We are totally serious. You are making a mint from DVD sales. We helped create that product. We have the numbers to back that up. We must be remunerated.

Alan: I don’t think you really understand the weak position you are in, Bob.

Bob: What are you talking about, Alan? I think our position has never been stronger. We create. You film and sell. We should get some of that money. Seems pretty simple and strong to me.

Alan: But I don’t think you understand. We don’t need you anymore! Look at what happened last time you keyboard jockeys got your panties in a wad. Remember that, back in the 80s? You were out for days! Weeks! Who missed you? No one, really. Sure, Letterman was annoyed, but he’s always pissed about something. Dave is Dave, nothing you can do about that. And what did we do while you guys were out there parading around L.A. with your signs and tinny megaphones, Bob? I’ll tell you what we did. We got smart. We went out and made reality shows. Reality! Non-fiction. No writers, baby! No made up stories, just real folks, eating worms and setting fire to their cousins on TV. Sure it’s crap, but it’s dirt cheap to make. Hire a couple snot-nosed camera crews, hell, Union people even. Hire a couple kids to follow that blonde bimbo, what her name? Annie Nicky Smith? The plump one, you know who I mean. Died a couple years ago. Marci! What was the blond’s name? Anyway, hire a few college kids to follow her around with a microphone and a Canon or put a bunch of cameras in Ozzy Milbourne’s house and you know what you have? A hit! H-I-T, hit, baby! You think we can’t keep doing that? The public eats that stuff for breakfast, Bob. Sure, we’ll throw you and the critics a bone once in a while and make The Wire and 24 and The Office and what not, but the future is Reality, Reality, Reality! Plus, the internet! It’s gonna be great! You ever see those YouTurn videos? Like that one with the dog and the skateboard? Stupid as hell, but people love to watch that crap. Marci! What’s the name of that one thing? That thing with the girl? HornyGirl12? LonelyChicken44? Whatever. That one thing with the girl. We bought that for a song. Marci! Where is she? That stuff doesn’t even need writers, my friend. It writes itself. MARCI!

Marci (running and panting): Sorry, sir, the boysenberry danishes weren’t very crumbly, so they are making a new batch. I got you a strawberry cruller. Here’s your cocoa, Mr. Johnson.

Bob: Cocoa? But I asked for coffee?

Marci: They were out. Sorry.

At that point in the tapes, the sound faded and we don’t really know what happened in the meeting. But we do know that the writers are probably getting screwed with their pants on.

Fight the Power.

1. Day 6 and going strong.  Keep the fingers limber and keep up the good work.

   Posted by michael  on  11/06/07  at  10:39 AM

2. Still laughing over Harold and Kumar 4.

   Posted by Novembrance  on  11/06/07  at  11:23 AM

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